Late Fela Anikulapo Kuti |
Late Fela Anikulapo Kuti, the originator and creator of Afro-Beat music genre will be
forever remembered in our heart for his effort on putting African music in
global map.
As the legacy he (Fela) left behind is recognized and remembered, the US Congress has issued a certificate of
Congressional Recognition to him in appreciation of the great contributions he
made to music in the world.
His son, Seun Kuti
who received this certificate of
recognition on his behalf shared a photo of this
certificate on his Facebook wall.The certificate of recognition |
Fela
Kuti, born on 15th of October 1938 and died on 2nd of August
1997, was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre,
human rights activist, and political maverick.
The
musical style of Fela is
called afrobeat, a style he largely created, which is a complex fusion of Jazz,
Funk, Ghanaian/Nigerian High-life, psychedelic rock, and traditional West
African chants and rhythms.
Afrobeat also borrows
heavily from the native “tinker pan” African-style percussion that Kuti
acquired while studying in Ghana with Hugh Masekela, under the uncanny Hedzoleh
Soundz. The importance of the input of Tony Allen (Fela’s drummer of twenty
years) in the creation of Afrobeat cannot be overstated. Fela once famously stated
that “without Tony Allen, there would be no Afrobeat”.
Afrobeat is characterized by a
fairly large band with many instruments, vocals, and a musical structure
featuring jazzy, funky horn sections. A riff-based “endless groove” is used, in
which a base rhythm of drums, shekere, muted West African-style guitar, and
melodic bass guitar riffs are repeated throughout the song. Commonly,
interlocking melodic riffs and rhythms are introduced one by one, building the
groove bit-by-bit and layer-by-layer. The horn section then becomes prominent,
introducing other riffs and main melodic themes.
Fela on Sax |
Fela’s band was notable for featuring two baritone saxophones,
whereas most groups were using only one of these instruments. This is a common
technique in African and African-influenced musical styles, and can be seen in
Funk and Hip hop. Fela’s bands at times even performed with two bassists at the
same time both playing interlocking melodies and rhythms. There were always two
or more guitarists. The electric West African style guitar in Afrobeat bands
are paramount, but are used to give basic structure, playing a repeating
chordal/melodic statement, riff, or groove.
Fela
Anikulapo Kuti was known for his showmanship, and his concerts were often quite
outlandish and wild. He referred to his stage act as the “On-the-Ground”
Spiritual Game. Fela attempted making a movie but lost all the materials to the
fire that was set to his house by the military government in power.
His son’s Femi and Seun Kuti have
redefined the Afro-Beat genre of music to the modern day without forgetting the
root of the music.
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